Author: Guy Debord

Cited by

• Daniel Alarcón (1)
  • IN: At Night We Walk in Circles (2013) Fiction, American
    EPIGRAPH: The spectacle’s externality with respect to the acting subject is demonstrated by the fact that the individual’s own gestures are no longer his own, but rather those of someone else who represents them to him. The spectator feels at home nowhere, for the spectacle is everywhere.
    FROM: The Society of the Spectacle, (1967), Book, France
• Patrick Modiano (1)
  • IN: In the Cafe of Lost Youth (2007) Fiction, American
    EPIGRAPH: Halfway along the path of real life, we were encircled by a dark melancholy, expressed by so many sad and mocking words, in the cafe of lost youth.
    FROM: NULL, (None), NULL, France